![]() ![]() I think doing a production emphasizing the issue is very important,” Chen told China Daily. Especially nowadays (with) racial tensions, so many things about immigrants. “I always wanted to create a modern mix about Chinese immigrants’ experience. Taught an identical martial art by their respective parents, the twins lead lives that are a mystery on many levels until the day they meet and discover their joint destiny. Eighteen years later, Little Lotus’ twins, Little Phoenix and Little Dragon, grow up unknown to each other: one in a humble apartment in Flushing and the other in a penthouse on Fifth Avenue. Her journey to find herself leads to betrayal, near death and resurrection. ![]() Set in two time periods - in present-day Flushing, Queens, New York, and in the near future - at the heart of the story is Little Lotus, a character who was born and raised in a traditional household. It is part of the 2019 opening season at The Shed, a nonprofit arts center at Hudson Yards, the massive real estate development-retail complex on Manhattan’s West Side, and runs until July 27.ĭragon Spring Phoenix Rise tells the story of an underground sect called the House of Dragon, which practices an ancient martial art in order to protect a secret treasure. The show, conceived and directed by Chen and co-conceived by Kung Fu Panda screenwriters Jonathan Aibel and Glenn Berger, has been applauded for its sensational martial arts movements. In Dragon Spring Phoenix Rise, a stage production featuring kung fu, dance and music set in New York, director Chen Shi-Zheng provides a window into the Chinese immigrant experience. Dragon Spring Phoenix Rise creates an allegory for the Chinese immigrant experienceĪctors float in the air during Dragon Spring Phoenix Rise at The McCourt theater in Hudson Yards.
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